Rate: At Minimum position sweeps are gradual and fluid. As rate is increased, the movement becomes tighter and more focused. At maximum position, the modulation sound becomes is rapid and transitions to hard, percussive pulsing.
Depth: Determines the amount of modulation applied to the delay time. As depth is increased, the sound transitions from light motion and phasing all the way into massive multi-octave sweeps.
Time: At maximum position you can easily craft traditional or vocal, metallic flange sounds. As the Time control position is reduced, delay time is increased and sounds become thicker and warmer. At Minimum position, the MF Flange is capable of approaching analog chorus.
Feedback:This control brings focus and resonance to the sweep of a sound. At minimum position, sweeps are smooth and neutral. At medium position, sweeps begin to peak musically. At maximum position, the sound of a sweep becomes rigid and metallic.
TYPE: The lower position subtracts feedback from the input signal mixer and output dry signal creating a more vocal sound. In the Upper position, feedback is positively summed with the input signal and dry signal, producing a more traditional flanger sound.
EXPRESSION PEDAL INPUT: This input is assigned to the Time control. Use an expression pedal to manually sweep through the delay frequency range of the MF Flange.
To access both outputs (in bypass), you will need to remove the bottom of the MF Chorus and set this switch to Stereo. Then use a ¼” TRS to TS insert cable or TRS to TS splitter.
WARNING: When set to Stereo and in bypass, excessive loading may occur. To avoid this, set this switch to Mono. A stereo output will still be present.